Podcast: Jew of Malta, 3.4

My podcast “Toilet Nunnery and Friends” is covering Act 3 Scene 4 of Shakespeare’s Jew of Malta. The over -all goal for my reading is to discuss how the scene might illustrate and how it is a key element to understanding the play in a broader sense, as well as give my audience an authentic feel for a scene reading as if they were just closing their eyes at a live performance. The central claim/thesis for my work is “Although Barabas and Ithamore are BOTH criminally minded, Barabas is more at fault for the downfall of other characters due to his control and investment like nature of relationships.” I whole heartedly believe that Barabas is the downfall of the whole play and its characters, without him Ithamore would have been criminally negligent as well, but he is nowhere near as bad as after Barabas coerces him into doing his bidding. Barabas seeks to control his whole world; his life, his daughter, his money, his friends, and as soon as he does not get what he wants…..he immediately plots their downfall for his own personal gain. Barabas’s greed for more and hypocrisy highlights this play as equally satirical as well as a revenge play. Appearance versus reality in this scene and overall theme in this play shows that nothing is as it seems in Malta, everyone has their own secret motives and pushes for them over the good will of others. Barabas uses this to his advantage, further hiding and disguising his own motives. Barabas pretends to be a quiet Jew minding his own business with his trade, uninterested in political issues, but he has is manipulating things to his own interest. Ithamore and Barabas swear to each other that they will be partners in crime, based on their mutual evil ways, but Barabas no sooner makes Ithamore his son and heir than he threatens to cut his throat if he is not loyal. Ithamore does not hesitate to blackmail his master to get money. Sooner or later Barabas fails to keep up his juggling act of deception as has to face the truth of his treachery by falling to his death. This scene highlights a key moment in the destruction Barabas causes in the chain of events to occur, and his own downfall.

Garit Daniels

23. Feb. Jew of Malta 4-5

 

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Discussion Questions

  • 1. Compare the list of deeds Barabas says he done to the deeds he does over the course of the play. Is the speech at the end of 3.2 a spell or a script? Does Barabas determine, through language, the play’s outcome and his own tragic fate? 
  • 2. On Tuesday, we forgot to talk about Barabas and Ithamore’s relationship. So…what do you make of their relationship? How does their “friendship” compare to the other “parings” in this play?
  • 3. Let’s take a minute and read through Ithamore’s report of the Bernardine’s hanging (4.2.24-29). Compare this moment to other instances of “reporting” in Jew of Malta, 3.3.20-24 or 4.1.30-43. 
  • 4. There are a lot of letters in this play–Barabas’ forgeries to Lodowick and Mathias (4.1.49) and the blackmail letters Bellamira conns/demands that Ithamore write to Barabas (4.274-90) are just two examples. Why is reading and writing letters so important in this play? What do the letters tell us about the status of authorship in the this play?
  • 5. How does get revenge against Ithamore, Pilia-Borza, and Bellamira? 
  • 6. How does Barabas escape being prosecuted for the muders of the nuns, his daughter, the two friars, Lodowick, and Mathias?
  • 7. Who’s the best governor of Malta?  
  • 8. The final parting shot of Jew of Malta is of Barabas, first falling and the boiling to death inside the cauldron he set up for Calymath. How can we read Barabas’s fall? 
  • 9. What’s for dinner? Also how does the big cauldron at the end echo the pot that Barabas poisons?
  • 10. What is your final assessment of Barabas? Of the relative status of humans?

 

DQ. Jew of Malta, Acts 1-5

Directions

Keep the following questions in mind as you read The Jew of Malta

Act 1

  • 1. Who is Machiavel and why does he open the show? What does he tell audiences about Barabas? Does his description of Barabas square with the character when we meet him?
  • 2. Describe Barabas and/or Machiavel’s world views. Do they challenge or corroborate plays we’ve seen so far this semester?
  • 3.How wealthy is Barabas? How does Marlowe convey his wealth to the audience?
  • 4. How does Barabas describe Christians? Jews? Does his description of either or both square with the Christians and Jews we meet later on? What’s Barabas’s point of view on state power?
  • 5. What role does the aside play in this play?
  • 6. Why does Ferneze take all of Barabas’s money? What’s your assessment of Fereneze’s leadership style? Of Calymath’s?  
  • 7. What do you think about Barabas’s relationship with Abigail? How does the Aeschylus reference overshadow it? 
  • 8. What’s the relationship between race and animals in Jew of Malta, Act 1?

Act 2 (& a little bit of Act 1)

  • 1. We see all sorts of new staging in this play. In what way is meaning effected by not only the asides, but also the funny business around the sign of the cross & X marks the spot at the end of act one? This play makes a lot of use of the balcony. What might the Romeo and Juliet resonances suggest: “What star shines yonder in the east” (2.1.42). Why all the little scenes?  
  • 2. What’s the effect of all the birds: “Birds of the air will tell of murders past” (Prologue 16), “Halycon’s bill” (1.1.39), “Raven Wakes the morning lark,” (2.1.60).  
  • 3. What work do all the other animal allusions do?  
  • 4. Slave Market Scene, 2.3: Who and what authorizes the sale of slaves?
  • 5. Who has done more terrible things, Barabas or Ithamore?
  • 6. How does Barabas plan to get his revenge against Fereneze? Is his revenge justified? 

Act 3

  • 1. How do Katherine, mother of Mathias, and Ferenze, father of Lodowick, respond to the deaths of their respective sons?
  • 2. What does Barabas’s orchestration of Lowick and Mathias’ death say about the theater? OR theater producers?
  • 3. Compare Abigail and Barabas.
  • 4. What do you make of Barabas and Ithamore’s relationship? What does it mean the Ithamore is Barabas’s heir?
  • 5. There are a lot of curses in this play? What rhetorical function does the “curse” serve?
  • 6. How does Barabas react to Abigail’s return to the convent? Is it out of proportion to her decision? 
  • 7. What’s Abigail’s dying wish? How can this scene be played for laughs?

Acts 4 & 5

Discussion Questions

  • 1. Compare the list of deeds Barabas says he done to the deeds he does over the course of the play. Is the speech at the end of 3.2 a spell or a script? Does Barabas determine, through language, the play’s outcome and his own tragic fate? 
  • 2. On Tuesday, we forgot to talk about Barabas and Ithamore’s relationship. So…what do you make of their relationship? How does their “friendship” compare to the other “parings” in this play?
  • 3. Let’s take a minute and read through Ithamore’s report of the Bernardine’s hanging (4.2.24-29). Compare this moment to other instances of “reporting” in Jew of Malta, 3.3.20-24 or 4.1.30-43. 
  • 4. There are a lot of letters in this play–Barabas’ forgeries to Lodowick and Mathias (4.1.49) and the blackmail letters Bellamira conns/demands that Ithamore write to Barabas (4.274-90) are just two examples. Why is reading and writing letters so important in this play? What do the letters tell us about the status of authorship in the this play?
  • 5. How does get revenge against Ithamore, Pilia-Borza, and Bellamira? 
  • 6. How does Barabas escape being prosecuted for the muders of the nuns, his daughter, the two friars, Lodowick, and Mathias?
  • 7. Who’s the best governor of Malta?  
  • 8. The final parting shot of Jew of Malta is of Barabas, first falling and the boiling to death inside the cauldron he set up for Calymath. How can we read Barabas’s fall? 
  • 9. What’s for dinner? Also how does the big cauldron at the end echo the pot that Barabas poisons?
  • 10. What is your final assessment of Barabas? Of the relative status of humans?

Blog Post 2: Podcast Anotation

Find and listen to a drama or drama history podcast of your choice and respond to the following in a 200-300 word paragraph. Post your paragraph and a link to the podcast to the course site by 3:00 by Tuesday, February 14.
  • 1. Cite the Podcast in MLA
  • 2. In 2-3 sentences give a synopsis of the goals/topics of the podcast. Is the podcast successful (i.e. does it meet the goals its sets for itself)?
  • 3. In 2-3 sentences explain one piece of evidence and how the hosts discussed/analyzed the evidence they presented.
  • In 1-2 sentences explain how you may use the podcast in your own project.